Now in the eighth book in the Slough House series, British espionage author Mick Herron continues to kill off his collection of failed spies one at a time, replacing them with new ones. And it seems the MI5 overlords at Regent’s Park have no shortage of spooks they want to shuffle across to Slough House, where their relegated spies work for the loose cannon Jackson Lamb.
In the last book, entitled Slough House, a key player in Lamb’s team died and their replacement is the fiery Ashley Khan. It was a brave move to kill off the character we’re referring to. This person had been there from the beginning, was loved on the page and in AppleTV’s recent adaptation of Slow Horses, and was certainly the emotional core of the series.
For her part Khan has arrived at Slough House as punishment for failing in a tail job for Diana Taverner – AKA Lady Di behind her back and First Desk at MI5. It was Lamb she was tailing, and he spotted her and broke her arm. For all this Khan blames Lamb rather than Tavener, and her ongoing attempts to poison him form one of several running gags through Bad Actors. The final pay off had me in tears.
Jackson Lamb is the rude, slovenly, but highly dangerous head of Slough House, and other returning characters include Louisa Guy (please Mick, if you’re reading this, leave her alone), Shirley Dander (excommunicated for anger management and substance misuse), Lech Wicinski (perhaps the only underdeveloped character in the series), Roddy Ho, Catherine Standish and Peter Judd (a corrupt, self-serving, behind-the-scenes power broker).
In Bad Actors a relatively new and minor character, Sparrow, takes centre stage. He’s the prime minister’s special advisor and enforcer, and the true power behind the throne. He’s also a keen blogger so if you follow British politics you’ll have a good idea of who inspired him. Of course it’s not enough to be running the Number 10 operation, Sparrow wants a tame secret service, and he thinks the disappearance of his super forecaster Dr Sophie de Greer gives him a chance to achieve this. Sparrow arranges for Charlie Whelan, a predecessor of Lady Di in the Regent’s Park hot seat, to investigate the possibility she has been taken off the board by MI5, whilst at the same time leaking the news to the public.
As a result, the Red Queen protocol is implemented, which entails the suspension of First Desk, placing the secret services under the temporary control of another branch of the civil service. Lady Di Taverner has no choice but to go dark, not just to save her own neck, which is of course paramount, but also to preserve the independence of the secret service. In an inventive touch, just one of many, Herron has her avoiding capture on the rooftop garden of a Soho wine bar.
Of course, nothing in the Slough House world is so straightforward, and de Greer is anything but an innocent party. To say much more would be spoiling things, but for once Taverner and Lamb find themselves in an uneasy alliance.
Herron has dialled back a little from the heartbreak of previous books in favour of a more overtly comic formulation. His unique, wry humour has always been present in the series of course, whether it be satire or the more outrageous insults that are Lamb’s forté, but Bad Actors is more a comic novel than a spy novel with comic moments. Perhaps the decision is a reaction to how real life has been in Britain over the last couple of years. That’s not to say there aren’t more serious moments; Shirley Dander in rehab is ripe for comic exploration, but Herron also finds pathos in her situation.
Bad Actors is a slight departure from the norm in the Slough House series, but it definitely delivers another triumph in one of the strongest crime series of the last decade.
The Slough House series is full of hit novels and we’ve previously reviewed Slow Horses, Real Tigers, London Rules, Joe Country and more.
Baskerville/Soho Press
Print/Kindle/iBook
£9.99
CFL Rating: 5 Stars
I’m confused… Apart from J. K. Coe, which member of the Slow Horses was killed off in Slough House?
Well, that would be a spoiler for anyone who hasn’t read Slough House yet.
This is definitely the worst book in the series , it only livens up when the Slough House mob are involved and there is far too much politics included.
The politics has a thinly disguised Cummings as one of the main characters.
Mick spends a lot of time explaining but the whole plot seems thin to me.
Honestly it just seems like Herron is bored with the characters and story at this point. They’ve done the same things for three books now; Taverner has some scheme that goes sideways, Lamb gets wind of it and sends his team into the middle of things, one of them dies in a Shocking Twist that underscores How Serious This All Is, the rest bumble their way to a half-assed success, Lamb snots off to someone fancy, nothing really changes, The End. The narrative effort and investment in this last one was given to someone who isn’t one of the Slow Horses at all, and this book marks two in a row where Herron went back on the most interesting idea (that is, the Game-Of-Thrones-ish notion that being a viewpoint character didn’t mean you’d make it through the story.)
“Jackson Lamb is ….rude, slovenly” – this is getting irritating as well. Time for the focus to be shifted to his joes ( who have a lot of potential as fully developed characters). The most enjoyable feature of experienced spooks like Lamb is that they can see the bigger picture/ be more cunning than the enemy, and this can always be used to enrich the plot, so to speak.
Have just watched the two episodes of the Apple TV show- nicely done, but I can’t help wondering if they would be much more entertaining to viewers who’ve read the books